Explosive bursts of fire open Technology/Transformation, an incendiary deconstruction of the ideology embedded in television form and pop cultural iconography. Appropriating imagery from the 1970s TV series Wonder Woman, Birnbaum isolates and repeats the moment of the "real" woman's symbolic transformation into super-hero. Entrapped in her magical metamorphosis by Birnbaum's stuttering edits, Wonder Woman spins dizzily like a music-box doll. Through radical manipulation of this female Pop icon, she subverts its meaning within the television text. Arresting the flow of images through fragmentation and repetition, Birnbaum condenses the comic-book narrative — Wonder Woman deflects bullets off her bracelets, "cuts" her throat in a hall of mirrors — distilling its essence to allow the subtext to emerge. In a further textual deconstruction, she spells out the words to the song Wonder Woman in Discoland on the screen. The lyrics' double entendres ("Get us out from under... Wonder Woman") reveal the sexual source of the superwoman's supposed empowerment: "Shake thy Wonder Maker." Writing about the "stutter-step progression of 'extended moments' of transformation from Wonder Woman," Birnbaum states, "The abbreviated narrative — running, spinning, saving a man — allows the underlying theme to surface: psychological transformation versus television product. Real becomes Wonder in order to "do good" (be moral) in an (a) or (im)moral society."

When Washington's most powerful players are pulled into an international conspiracy, an unlikely puppeteer will bring everyone from CEOs to The President of the United States to their knees by threatening the things they hold most dear.

很久以前，那还是人类憧憬宇宙、满溢着开拓精神的时代。世界各国在太阳系的各大行星上建设了起新的都市，人们在那里安定地生活。故事的舞台是这些行星的其中之一——火星上的新日本，描绘了“第4东京都”中的高中生、年轻工薪族们展开的青春涂鸦。

Negotiator expert Cheuk Man Wai unexpectedly becomes the prime suspect in a murder case. Forced into a corner, he occupies the police station, taking officers hostage, and demands negotiations with the former negotiator Tse Ka Chun. With Tse's expertise in psychological manipulation and Check's exceptional skills, they engage in a battle of wits. As the verbal sparring deepens, their positions and mindsets gradually change.

Crisis Center is an American drama television series that aired from February 28 until April 4, 1997.

《恋爱幕末男友～在时空的彼方盛开之恋～》改编自游戏厂商Furyu开发的女性向恋爱模拟游戏。第一季于2018年十月播出，播出结束后官方宣布了第二季制作决定，第二季将于2019年4月5日凌晨开播。在第2季中，替代第1季被打倒的无限斋，“第2代无限斋”即将登场。 　　从现代穿越到幕末时代，你将与12位英俊帅气的幕末志士展开一场甜蜜的恋爱物语！更多精彩内容尽在 九零港剧@www.90tvb.com

Two best friends, both called Charlie. One is a bisexual woman, the other a gay man. They almost kiss, and…

The story of a turtle family making their way home through a damaged and changing ocean. A powerful message about the threats the oceans are facing, and the importance of protecting them

The NFL during the Iran hostage crisis. Includes the story of Alex Paen, a Los Angeles-based reporter stationed in Tehran, who made an audio recording of Super Bowl XIV for the hostages to listen to.

Based on a play by Willis Hall. A troop of British soldiers are out in the jungle to record jungle noises and troop noises in the jungle so that the recordings can be played back by other troops to divert the enemy to their whereabouts. As they progress to what they think is closer to the base camp they find themselves farther and farther from radio range until the only channel they can get clearly is that of a Japanese broadcast. They now realize they are probably only 10 to 15 miles from a Japanese camp! The tension is added to by rowdy and openly admitted "non-hero" Private Bamforth who has nothing good to say about anyone and especially Corporal Johnstone (who holds an equal dislike for Bamforth). When a Japanese soldier is taken as their prisoner, the true colours of each man comes to the surface